Rock music can often offer escapism from the strictly defined norms of Japanese society. The country is littered with edgy punk rock venues which feature independent acts on a nightly basis, acting as havens for people seeking noise and momentary disorder. It’s an interesting culture, but there is rarely an appealing balance of “edge” and a quality sound. One such act, which maintains this balance beautifully, is Aomori-based punk rock/no-wave band The Chome Chomes.
Also referred to as The XX’s (not to be confused with England’s “the xx”), The Chome Chomes offer a wonderfully chaotic sound, drawing inspiration from the 1970s New York and London punk scenes. At first glance one might wonder how frontwoman Natsumi could possibly produce the sort of aggression necessary to emulate the genre. Upon hitting play, however, it becomes clear that this adorable girl is up to the task. My first impression on listening to The XX’s was how awesome it was to see this small package produce such nasty guttural vocals. In a country whose popular music scene boasts a ton of cute girls in skimpy clothing dancing in unison on big stages, it is refreshing to have Natsumi’s disregard for the gender-related themes so prominent in Japanese mainstream popular culture. As the band proclaim, their music is not about fashion and culture. It’s gender art, embodied by an abrasive female lead and a crazy support trio.
Having formed in 2010, the band made their name on the Rookie-a-Go-Go stage at Fuji Rock ’11. In October the band released their major label debut “Pop Town” for which they are currently touring. This is certainly just the start for a promising band.
Here is a video for my personal favorite track of theirs titled “Heisei no Antoinette”