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A Global Noise Magazine

Interview: Oeil's Mitsuko Hoshino (English and Japanese)

Matthew Bedford

It has been a lot of fun looking at a growing shoegaze scene in Japan and finding a ton of cool bands who represent the genre well.  This week I was privileged  enough this week to be able to speak with Mitsuko Hoshino of Tokyo-based shoegazers Oeil.  Oeil has been active in the shoegaze scene for years and Hoshino has also participated at such events as My Bloody Valentine night under the alias mitsuko strange as a DJ spinning shoegaze tracks. As a brief introduction, Oeil is a 3-piece band consisting of Takafumi Hibino (vocals/guitars/programming), Nina Kurosu (synths/guitars/vocals), and of course Mitsuko Hoshino (vocals/bass/keyboard).  I absolutely recommend checking them out as their tracks are wonderful and dreamy.

You can check them out and give them a listen on Facebook and Myspace.  You can purchase their first EP "Urban Twilight" here.

A big special thanks to Mitsuko Hoshino for taking the time to be interviewed.  Enjoy!

MusoJapan: When was Oeil formed?

Mitsuko Hoshino: The band started in 2006, and that summer performed its first live show as far as I know, as I joined in 2008. Oeil’s lineup underwent a lot of changes in 2008, so it can also be said that that is when the band actually formed.

MJ: Who is the band’s biggest influence?

MH: Kevin Shields [of My Bloody Valentine]. From what I am told, the band was initially “themed” after “Loveless.” We are also largely influenced by bands like The Cure and the Sundays.

MJ: Does Oeil have a principle songwriter or is it more of a collaborative effort?

MH: The songwriting is done by Hibino.

MJ: How would you describe your sound to someone who isn’t familiar with Oeil?

MH: A strawberry drowning in cream.

MJ: Oeil’s last album “Urban Twilight” was released in 2007, and in 2008 the band appeared on a shoegaze compilation album. Since then have you continued writing new songs? Are there any plans for a new album release?

MH: We have been performing new songs live since 2008. As far as a new album, we will probably use the songs we’ve written to this point.

MJ: In addition to playing in Oeil, you also DJ. What sort of music do you spin?

MH: It all depends on how I feel and what sort of party it is. Lately though, I’ve been into Soft Metals, Grimes, and Echo Lake.

MJ: The underground scene has a wide variety of sounds to offer to foreign fans of shoegaze music. What is your opinion of the Japanese shoegaze scene and the overall indie music scene in Japan?

MH: When Oeil was first formed there weren’t many opportunities to see shoegaze bands out there, and Oeil was still pretty rare, but lately a lot of bands with sounds similar to ours are becoming less rare. Recently, the recognition of shoegaze bands has been rapidly increasing, but I feel like it is still early to call it this generation’s shoegaze scene. I think there is still room for growth. As for the entire indie-music scene, there are lots of bands with a variety of sounds and I feel it is very substantial. We are always excited to hear this new stuff.

MJ: What are Oeil’s plans for 2012?

MH: We played live in January, and this year we will release music in some form. As soon as we figure anything out we will be sure to let Muso Japan know.

 

MusoJapan: いつどのようにOeilは結成されたのですか?

Mitsuko Hoshino: 2006年に結成され、その夏に最初のライブをしたと聞いています。 私が加入したのは2008年からです。 Oeilは2008年にメンバーと編成を大きく変えました。 ある意味では2008年が結成した年とも言えるでしょう。

MJ: Oeilの音楽に一番多大な影響を与えたのは誰ですか?

MH: Kevin Shieldsです。 結成当初のテーマはlovelessだったと聞いています。 他にもThe CureやThe Sundaysから大きな影響を受けています。

MJ: Oeilには主なソングライターがいますか?それともみんなで協力的に曲を作りますか?

MH: 曲は日比野が書いています。

MJ: Oeilを聴いたことがない人にOeilの音楽を説明するとしたら、どのよう表現しますか?

MH: 苺がクリームで溺死。

MJ: Oeilの最後のアルバム”Urban Twilight” が2007年にリリースされ、そして、2008年の シューゲーザーコンピレーションアルバムにも登場しました。それ以降も新しい曲を作り続けています か? また、新しいアルバムをリリースする予定がありますか?

MH: あります。 2008年以降もライブでは新曲を演奏しています。 新しいアルバムはこれまでの作品からヴィジョンを大きく広げたものになるでしょう。

MJ: Oeilに加えてみつこさんはDJ活動もやっているそうですが、その時はどんな音楽をしてますか?

MH: その時の気分とパーティの趣旨によって変わります。最近のお気に入りはSoft Metals、Grimes、Echo Lakeです。

MJ: 日本のアンダーグラウンドシーンは外国のシューゲーザファンに様々なサウンドを与えます。みつ こさんは日本のシューゲーザーシーンとインディーズシーンについてどのような意見を持っています か?

MH: 結成当初はシューゲイザーテイストを全面に押し出したバンドにライブハウスで出会う機会は少なく、 Oeilはまだ珍しいバンドでしたが、最近では私達のようなサウンドで表現するバンドは珍しくありませ ん。 シューゲイザーと言うスタイルの認知度は急速に増加しましたが、それを今の世代のシューゲイザー シーンと呼ぶにはまだ早い気がします。 更なる発展の余地はあると考えています。 インディーズシーン全体については、多種多様なスタイルのバンドが存在していて充実していると感じ ます。私達も常に最新のものから刺激を受けています。

MJ: Oeilの2012年の活動予定を教えて下さい。

MH: 1月にライブを行いましたが、今年は何らかの形で楽曲をリリースするでしょう。 リリースが決まったら真っ先にmuso japanにお知らせしますね<3