Looprider – Umi

When they released their 2015 debut “My Electric Fantasy”, Tokyo-based rock outfit Looprider displayed some impressive versatility in creating a cohesive record that incorporated sludgy hooks and pop-infused shoegaze.  Released about nine months later, their second record “Ascension” took things in a quite different direction, drawing on hardcore and harsh noise, while steering clear of any pop influence from the first.  Through two albums the band had covered so much ground that predicting where they might go from there was both intriguing and impossible. 

When they released their 2015 debut “My Electric Fantasy”, Tokyo-based rock outfit Looprider displayed some impressive versatility in creating a cohesive record that incorporated sludgy hooks and pop-infused shoegaze.  Released about nine months later, their second record “Ascension” took things in a quite different direction, drawing on hardcore and harsh noise, while steering clear of any pop influence from the first.  Through two albums the band had covered so much ground that predicting where they might go from there was both intriguing and impossible. 

Today, the band put out their third album, “Umi”, which predictably veers in yet another new direction.  Initially promoted by the band as “an epic post rock concerto”, “Umi” goes beyond that.  The album is a single, mostly instrumental 25-minute track that organically flows from start to finish with massive crescendos and lulls.  

The opening 5 minutes, which the band uploaded as an album teaser a few weeks prior to the release, is a solid setup to the rest of the record.  If “My Electric Fantasy” was a showcase of Looprider’s ability to write catchy, hook-driven tunes, and “Ascension” their talent for tonal brutality, “Umi” brings to light the side of the band that expertly crafts intense music using layers and textures.  You get a feel for this in the album’s opening minutes where a number of simple parts are gradually woven together, building up to a dramatic peak where each of those parts explodes to create a beautiful sort of chaos.  At about the four and a half minute mark, the double drums really shine through, too.

Just as any good post rock has it’s big crescendos, a sudden come-down and reminder that you need to breathe is just as impactful.  While, at first listen, there might seem to be a logical track break – after all, it did make for a really nice standalone edit – the nosedive into the second part feels much more significant as a transition without interrupting the flow of the song. 

Over the next few minutes of the album there’s a delicate build-up, again starting very simple and gradually developing with multiple overlapping parts.  The lyrical portion of the album kicks in here, during which the origins of life are almost chanted over the course of another crescendo, this time to an epic bout of droning rock en route to a frenetic, solo-driven flurry.  The balance between calm and uptempo, soft and thunderous, and the organic, unpredictable flow from part to part does well to conjure the image of the album’s central theme: the ocean. 

The closing portion of the album brings everything down to a strong, steady march, before fading out with clean guitars, while the presence of thick, heavy guitars as the backdrop is a reminder of the strength of the album’s concept. 

As a listening experience, “Umi” is quite different from Looprider’s two previous releases.  However, there are familiar elements from the band’s previous two albums that appear throughout – the occasional grooves and “wall of sound” guitar textures found on “My Electric Fantasy” and the crushing noise of “Ascension” – that are brought together in a unique way, further stretching the boundaries of what Looprider are capable of producing.  With the addition of guest musicians to a lineup that’s already proven itself more than capable of generating huge depth in its sound, Looprider have once again succeeded in belting out a behemoth rock album, when few other bands in Japan are seemingly willing to do so. 

Looprider’s album release party will be taking place on Wednesday, March 29th at the band’s own Pop Sabbath event at Shindaita Fever in Tokyo, where they’ll be supported by moja and Japanese shoegaze legends Luminous Orange.  You can pick up a copy of the CD, which one again features some really nice art from Nasutakeo, at the following locations:

[Japan] kiiro records presents: FOREVER SHOEGAZE 2

 
With 2014 coming to a close, it’s about that time for music bloggers to start taking a look back at the year and putting together lists and reflective pieces and whatnot. Lookingat the list of shoegaze releases in Japan this year, there have been quite a few from well-established artists and newcomers alike. For those of us in Japan, these new releases have been pretty easily accessible, while for folks abroad they have in some cases been near impossible to obtain. The overall lack of digital releases is a point of frustration for a lot of people who want a gateway in to what has, in the last few years, been a growing Japanese shoegaze scene.

Japan’s kiiro records, a net label established at the beginning of the year, has done its best to provide for an eager overseas audience. With a slogan that roughly translates to “easy listening for everyone”, kiiro offers a diverse catalog featuring any number of genres from pop to alt rock to grunge. In June however, the label got the attention of shoegaze fans with the release of its FOREVER SHOEGAZE compilation album.  Shortly thereafter, a collaboration with The Japan Shoegazer Festival was announced for the summer event, where an exclusive comp CD-R was released – the first and only physical release from the label.

Kiiro records will be getting ready to release its next shoegaze comp, titled FOREVER SHOEGAZE 2, at midnight JST on December 25th (Merry Christmas!), which will be 7am PST for everyone stateside.  Similar to its predecessors, FOREVER SHOEGAZE 2 will feature mostly Japanese bands, with some foreign artists also appearing on the track list.  This time around there are some bands that are well worth keeping an eye on, such as Tokyo’s Float down the Liffey and Magic Love, and some great overseas talent in Australia’s kigo (who also appeared on the first comp), The Bilinda Butchers (USA), and one of my personal favorites, DIV I DED (Czech Republic).  The lineup for the band hasn’t been finalized, but as it stands, in addition to those just mentioned, the following bands will appear on the comp:  Dream Suicides and Ask For Joy (USA), UN PLANETA (Argentina), and POLA, Lunchu, Corsage, Ame no Naka no Uma, and nayutanayuta (all from Japan).

As with all of kiiro records’ releases FOREVER SHOEGAZE2 will be available for free download via the label’s Bandcamp page.  Keep an eye out for a mirror download link in case the album meets its 200 free download limit.  Muso Planet will be providing the recommendation write up for the record upon its release.  There’s just a little over a week left until the comp is released, so in the meantime you can check out the first FOREVER SHOEGAZE album and some of kiiro’s catalog.